Klimt i njegove žene, svete i spokojne, tjelesne i strasne, nakon stoljetnoga mira sišli su s kazališnoga svoda, sa zidova kraljevskoga dvorca, otrgli se iz muzejskih postava, izronili iz najdubljih muzejskih spremišta i iz najskrivenijih zbirki.

Klimt and his women, holy and serene, carnal and passionate, descended after centuries of peace from the theater vault, from the walls of the royal castle, tore themselves away from museum exhibitions, emerged from the deepest museum repositories and from the most hidden collections.